SUPERBOOTH 2024: Instruo - Dail Quantizer

video upload by sonicstate

"At Superbooth 2024, Jason from Instruo introduced their latest innovative product - the Dail Quantizer*. In a conversation with Sonic State, Jason explained that the *Dail Quantizer has been in the works for a while, with initial designs dating back to 2020. Due to the chip shortage, the product had to undergo a complete redesign, but the functionality has been well thought out over the years. The Dail Quantizer serves as a monophonic quantizer, precision adder, and MIDI-to-CV interface, providing a versatile solution for musicians looking to enhance their sound and performance.

The Dail Quantizer features three pages controlled by a toggle switch, allowing users to easily navigate between quantizer, precision adder, and scale programming modes. With the ability to set different scales, from major triads to pentatonic scales, users can customize their sound with ease. Additionally, the Dail Quantizer offers multi-octave spanning quantization, allowing for complex spread voice patterns and modulation of quantized signals.

Dail Quantizer Price: 289 GBP"

The Instruō dàil is a high resolution quantiser, precision adder, MIDI-to-CV interface, and USB MIDI Host with a very small form factor suitable for any system.

As a quantiser, scales can be defined locally as well as externally via MIDI. The USB Host port will accept and power class compliant devices offering convenience and immediacy to melodies and sequences.

As a precision adder, existing signals can be offset by any defined chromatic interval. Transpose anything with accuracy using the calibrated buffered throughput which runs parallel to the quantiser engine. This feature alone makes for a great companion to any sequencer or 1V/octave source within a system.

No longer is a single repeating octave of quantised notes a limitation. dàil features a fully bipolar quantiser engine through which any multi-octave spanning scale/chord/arpeggio can be engaged immediately from your MIDI keyboard. Patterns can also be programmed onboard with precision with the ability to auto fill from a wide range of major and minor starting points.

Small form factor, big feature set!

dàil will suit any scale of system adding flexibility and immediacy to your melodic needs.

dàil | (verb) divide something into parts

EuroSerge! Elby - AM01 // NB Custom Elby EuroSerge System

video upload by NOISEBUG

"Elby - AM01 NB Custom EuroSerge System
Includes 12 Banana Cables, PSU, and Noisebug's Guarantee

https://1vglr6wekxmgoaxy-2051997743.s...

EuroSerge is a fantastic modular hybrid

Euro = Eurorack size format and power standard
Serge = 4mm Banana cable jack & Classic Serge circuitry

PLEASE NOTE THIS SYSTEM REQUIRES BANANA CABLES
This system is of incredible value and is the perfect way to enter the world of Serge modular!
SOUND DESIGN LABORATORY

The AM01 System is a custom-designed EuroSerge Modular synthesizer system. Housed in a standard Doepfer A-100LC6 (6U) eurorack case, but comprised purely of Elby designed "EuroSerge" banana-format modules. The modules in this system can operate on any standard Eurorack power source. The system itself is designed to inspire, experiment, and explore the magic of Serge modular.

The AM01 system includes the following modules:

ES05 - Noise Source
ASM325 - VCO II
ES33 - Variable Q VCF
ED720 - ESVCO
ES78 - VCA
ES75 - Voltage Controlled Slope 
ES08 - Audio Mixer
ASM306 - Audio Out
ES27 - Transient Generator
ES23 - Sequence Programmer
ES37 - Quantizer
CG734 - Analog Shift Register
ES10 - Triple Waveshaper
ES21 - 10 Stage (Trig) Sequencer

Doepfer A-100LC6 (black)"

SUPERBOOTH 2024: Expressive E - Noisy 2

video upload by sonicstate

"Sonic State attended Superbooth 2024 and caught up with Chris from Expressive E to discuss their latest release, *Noisy 2*. This brand new software synth is a bi-timbral synth that uses noise as a source signal and resonators to create unique sounds. With 700 presets in MPE mode, users can expect a wide range of sound possibilities. The most exciting feature of NOISY 2 is the integration of expression control with the synthesizer, allowing for dynamic triggering and continuous control. This level of expression opens up new possibilities for sound design and MPE controllers like the Osmos.

NOISY 2 is now available for purchase at an introductory price of 89.40 euros.

https://www.expressivee.com/"

Black Corporation Introduces KIJIMI MK2

Priced at $4,299

Check with the dealers on the right for upcoming availability.

Details follow:

KIJIMI MK2 is crafted to be one of the most powerful polysynths ever built, all behind intuitive front-panel controls, from its continuous timbral variation to its exhaustive modulation matrix. The Black Corporation original features planetary-sized analog sound, inspired by the best of rare and classic synths, but unique to our own parallel galaxy.

Shipping in July 2024.

CLICK FOR MORE »

Erica Synths Introduces Nightverb and ResonantEQ

"We at Erica Synths in collaboration with 112dB have developed a unique new hardware reverb effects unit. We focused on the musical aspect of the effect – extremely long decay tails are possible without losing harmonic integrity and since multiple parameters can be adjusted at once, notes can be played individually and held in chords, pitch-shifted at a whim or used to create massive, ambient textures.

Introducing the Nightverb – a stereo reverb with a unique and musical custom algorithm, save/recall functions for all parameters, all in a sleek aluminum case to aesthetically match our lineup of desktop units."

GRAPHIC RESONANT EQUALIZER
We realized it’s about time to expand the Erica Synths Graphic series of Eurorack modules with a unique sound shaping module. Introducing the Graphic Resonant Equalizer – a 10-band resonant equalizer with a fully-analogue signal path and digital control over individual band levels.

This new architecture gives an unprecedented level of control for shaping sounds with the possibility of saving presets, randomizing band levels, applying clocked modulations and even allowing for the module to act as an unconventional multimode filter.

The CV inputs for all bands and the clock input allow for integrating the Graphic Resonant Equalizer into any Eurorack system. Whether you’re looking for a delicate sound design tool for balancing out the frequencies in your patch to sound just right or an experimental scream machine that can mangle any sound source into uncharted territory, the module does it all – a versatile secret weapon for your rack!

Features:

10 band analogue resonant equalizer
Digital control over band levels
CV control over each band level
Configurable resonance loops (one or several bands)
EQ, Lowpass, bandpass, highpass and notch filter modes
Patch memory
Clock input for clocked modulations or patch selection
Spectrum analyzer mode
An optional expander for hands-on control of each band’s boost/cut
Module width – 20 HP

Moog - Spectravox - Sound Demos

video upload by NOISEBUG

https://www.noisebug.net

See the announcement post here.

"The long wait is finally over. The Moog Spectravox has finally been released and we couldn't be more excited!

Spectravox, the newest member of the Moog semi-modular family, is a groundbreaking tool for sculpting sound. An analog spectral processor based around a 10-band filter bank, Spectravox creates lively drones and colorful tonal sweeps on its own and adds resonant depth and psychedelic spectral movement to any external sound. Hook up a microphone and Spectravox becomes a 10-band analog vocoder with innovative integrated modulation of all of its filters. An exploration and expansion of the topology of the vocoder and filter bank, Spectravox is a highly flexible instrument and signal processor with a comprehensive patch bay for integration into studios of all sizes.

Synthesists have delighted in playing with the spectrum of sound since the Moog 907 Fixed Filter Bank appeared in the 1960s, creating lush vowel tones and multicolored timbral animation with hands-on level control of each frequency band of a sound. Unlike earlier fixed filter banks, however, the unique filters of Spectravox are no longer fixed in place and will jointly shift around the frequency space, allowing for the creation of otherworldly voltage-controlled spectral animation and vibrant phaser-like sweeps. With 10 filters whose variable resonance can morph from soft precision to shimmering choral effects, Spectravox reshapes the sounds you love into surprising new forms and brings a new world of sonic possibilities to your studio.

Spectravox is a fascinating standalone sculptable synthesizer voice thanks to its built-in carrier sound source of a thick analog Moog oscillator and white noise generator. With its combo XLR/jack program input, Spectravox becomes a fully featured 10-band vocoder with a secondary filter bank for analyzing the spectral makeup of incoming sounds. In VOCODER mode its 10 analysis filters map the timbral characteristics of any external sound onto any other sound you can imagine. Shape the warm analog oscillator of Spectravox with the dynamics of your voice, or use a drum machine to animate guitar chords in a mesmerizing broadband percussive space.

Spectravox uses the pioneering vocoding work of Bob Moog and Wendy Carlos in the late 1960s as its inspiration—work which was based on Homer Dudley's original designs from the 1930s and which was used to prominent effect in Stanley Kubrick's 1972 film A Clockwork Orange. Innovating further from these early designs, Spectravox uses 10 state-variable filters for its filter bank, all 10 of which are capable of being shifted with its internal triangle wave LFO or external control voltage. With the ability to emphasize vowel sounds via the Hiss and Buzz functionality of the Moog 16 Channel Vocoder, Spectravox is both a major step forward for analog filter banks and a loving exploration of early music technology history.

Scramble the frequency spectrum and create wonderfully unpredictable textures with patch points for each filter in the filter bank and included patch cables. Add analog warmth and subtle phasing to digital synthesizers and sound sources. Integrate Spectravox with other Moog semi-modular instruments or Eurorack modules with an extensive patch bay providing control over almost all of its parameters. Spectravox is a boundary-pushing instrument that invites you to explore creative new ways of shaping and sculpting sound."

PERCUSSA INTRODUCES XMX EURORACK MODULE AT SUPERBOOTH 2024

Press release follows:

Los Angeles, CA, May 14th 2024 - PERCUSSA is set to return to Superbooth and is introducing its new eurorack module to the market, the XMX, at Superbooth 2024 in Berlin, this week.

"The XMX is the smaller brother of our succesful SSP (super signal processor) eurorack DSP module, which has found its way into recording studios and live on stage around the world over the past years, enabling eurorack modular synthesists to build compact and powerful systems, for sound design, synthesis, effects processing, recording and live performance", says Bert Schiettecatte, Founder of PERCUSSA.

With the XMX, PERCUSSA aims to make the synthesis and effects modules and features of the SSP available to a wider audience at an affordable price and smaller form factor.

The XMX is available through PERCUSSA's website at an introductory price of $499, starting on May 16th, the first day of Superbooth 2024. PERCUSSA plans to start shipping the XMX in early July. Eurorack dealers wishing to stock the XMX are welcome to contact PERCUSSA for dealer pricing and ordering.

Similarly to the SSP, the XMX combines a number of functions into one module:
* a digital modular synthesizer engine with built in patching system
* a multichannel direct to disk recorder / sampler / playback engine
* a multichannel audio interface via USB
* MIDI-to-CV conversion for USB MIDI controllers
* preset management system

Hardware wise, the XMX has the following specs:
* 28 HP width, less than 30mm deep
* ~500mA @ 12V, ~100mA @ -12V, no 5V supply needed
* aluminium CNC machined and anodized front panel
* 4 aluminium knobs/encoders with push button feature
* 8 audio/CV/trigger inputs, +/-5V
* 2 audio/CV/trigger outputs, +/-5V
* stereo headphone output with analog volume control
* all I/O 24bit resolution and 48/96kHz sample rate
* 10 function keys with soft touch and silent action
* 2.4inch full colour IPS wide angle/visibility display
* quad core ARM Cortex A35 CPU @ 1.3GHz running Linux (64-bit)
* USB 2.0 Host and Device ports for MIDI (including MPE) controllers and multichannel USB audio
* microSD card slot
* expansion connector w/ I2C port

The XMX ships with nearly all of the SSP's factory modules, including:
* 3D wavetable oscillator
* stereo reverb
* simple and stereo delay
* granular
* 8 channel sample player
* step sequencer
* arpeggiator
* quad virtual analog (SVF) filter with HP/BP/LP/PK/NT outputs
* comb filter
* physical modelling drum/membrane
* signal switcher
* quad VCA
* bit crusher
* macro module
* envelope generator
* quad envelope follower
* bus
* USB midi input w/ MPE support
* LFO and audio rate square/sawtooth/triangle/sine oscillators
* input and output including USB audio channels
* variable frequency noise generator
* microtonal quantizer
* DC voltage generator
* waveshaper

The XMX uses the same preset format as the SSP. Users can build and save patches on the XMX and exchange patches with SSP users.

The XMX comes with a fast microSD card and factory firmware and boots from microSD similarly to the SSP. The XMX allows the user to build patches including multiple instances of the above modules in any combination. The XMX runs the same software as the SSP, with an improved and simplified patching system.

The XMX supports the same open source plugin SDK as available for the SSP, which 3rd party developers can use to develop their own plugins. The XMX is a linux platform and just like the SSP, also supports development of standalone software which can replace the factory firmware.

Additionally, The Technobear, one of PERCUSSA's active community members and SSP users, has developed an alternative firmware for the XMX called Trax, which he plans to release over the coming months. He has also adapted his popular plugins for the SSP, to run on the XMX, and will be presenting his work in a video to be released during Superbooth.

With the XMX, PERCUSSA brings the power of the SSP to a wider audience, in a smaller form factor and an affordable price point. Come by the PERCUSSA booth at Superbooth 2024 for a personal explanation and demo from Bert Schiettecatte, Founder of Percussa.

***

New Moog Spectravox - Semi-Modular Analog Spectral Processor

Moog Spectravox | Jamie Lidell | Awake & Alive video upload by Moog Music

Follow-up to the previous version.

"Experience a captivating musical performance featuring Jamie Lidell's "Awake and Alive," an original composition showcasing the Moog Spectravox. The performance features Aaron Steele on percussion and Luke Schneider on pedal steel.

The Spectravox, Moog's latest semi-modular addition, is a groundbreaking tool for shaping sound. This analog spectral processor, built around a 10-band filter bank, generates lively drones and colorful tonal sweeps, enhancing external sounds with resonant depth and psychedelic spectral movement. With a microphone connected, Spectravox transforms into a 10-band analog vocoder, featuring innovative integrated modulation across all filters. Pushing the boundaries of vocoder and filter bank technology, Spectravox offers immense flexibility as an instrument and signal processor, complete with a comprehensive patch bay for seamless integration into studios of any size."



Playlist:
The Moog Spectravox is a Vocoder, a Spectral Processor and Much More - Reverb
Moog Spectravox is in production! // Review, tutorial and 10 patch ideas - loopop
Moog Spectravox: Overview + Explorations - Sarah Belle Reid
Spectravox x Subharmonicon - A Brief Explainer - Noir Et Blanc Vie
Moog Spectravox - Accidental Arpeggios feat. Moog Subharmonicon - Noir Et Blanc Vie
Moog Spectravox Sound Demo (Machine Talking) - Limbic Bits
Moog Spectravox Sound Demo (no human talking) - Bonedo Synthesizers



The Newest Member of the Moog Family

Spectravox, the newest member of the Moog semi-modular family, is a groundbreaking tool for sculpting sound. An analog spectral processor based around a 10-band filter bank, Spectravox creates lively drones and colorful tonal sweeps on its own and adds resonant depth and psychedelic spectral movement to any external sound. Hook up a microphone and Spectravox becomes a 10-band analog vocoder with innovative integrated modulation of all of its filters. An exploration and expansion of the topology of the vocoder and filter bank, Spectravox is a highly flexible instrument and signal processor with a comprehensive patch bay for integration into studios of all sizes.

A Groundbreaking Tool for Scultpting Sound

Synthesists have delighted in playing with the spectrum of sound since the Moog 907 Fixed Filter Bank appeared in the 1960s, creating lush vowel tones and multicolored timbral animation with hands-on level control of each frequency band of a sound. Unlike earlier fixed filter banks, however, the unique filters of Spectravox are no longer fixed in place and will jointly shift around the frequency space, allowing for the creation of otherworldly voltage-controlled spectral animation and vibrant phaser-like sweeps. With 10 filters whose variable resonance can morph from soft precision to shimmering choral effects, Spectravox reshapes the sounds you love into surprising new forms and brings a new world of sonic possibilities to your studio.

10-Band Analog Vocoder

Spectravox is a fascinating standalone sculptable synthesizer voice thanks to its built-in carrier sound source of a thick analog Moog oscillator and white noise generator. With its combo XLR/jack program input, Spectravox becomes a fully featured 10-band vocoder with a secondary filter bank for analyzing the spectral makeup of incoming sounds. In VOCODER mode its 10 analysis filters map the timbral characteristics of any external sound onto any other sound you can imagine. Shape the warm analog oscillator of Spectravox with the dynamics of your voice, or use a drum machine to animate guitar chords in a mesmerizing broadband percussive space.

Electronic Instruments for the Musician

Spectravox uses the pioneering vocoding work of Bob Moog and Wendy Carlos in the late 1960s as its inspiration—work which was based on Homer Dudley's original designs from the 1930s and which was used to prominent effect in Stanley Kubrick's 1972 film A Clockwork Orange. Innovating further from these early designs, Spectravox uses 10 state-variable filters for its filter bank, all 10 of which are capable of being shifted with its internal triangle wave LFO or external control voltage. With the ability to emphasize vowel sounds via the Hiss and Buzz functionality of the Moog 16 Channel Vocoder, Spectravox is both a major step forward for analog filter banks and a loving exploration of early music technology history.

Scramble the Frequency Spectrum

Scramble the frequency spectrum and create wonderfully unpredictable textures with patch points for each filter in the filter bank and included patch cables. Add analog warmth and subtle phasing to digital synthesizers and sound sources. Integrate Spectravox with other Moog semi-modular instruments or Eurorack modules with an extensive patch bay providing control over almost all of its parameters. Spectravox is a boundary-pushing instrument that invites you to explore creative new ways of shaping and sculpting sound.

Limited Edition minilogue xd inverted - First Look

video upload by Korg

"Introducing the limited-edition inverted color variant of the top-selling minilogue xd. Enjoy its polyphonic analog engine, versatile open source digital MULTI engine, sequencer, built-in effects, all in a compact, affordable synthesizer.

Music and all sounds in video were made using the minilogue xd inverted by Natalie Chami aka TALsounds."

"Flip your sound with the new minilogue xd inverted

The minilogue xd analog synthesizer, with its true analog circuitry, digital multi-engine and effects combine to help create an extraordinary range of sound, and is now available in a new, limited-edition model with inverted keyboard colors.

Get inspired by its unique coloring, and create your own new soundscapes. The minilogue xd inverted is a stylish and unique addition to any live or studio setup and the limited edition colors will be yours to be proud of for years to come!

*All other specifications are the same as the minilogue xd regular model except for the keyboard color."

CLICK FOR MORE »

SYNTH-WERK - BODE Barberpole Phaser

video upload by SYNTH-WERK

"The BODE BARBERPOLE PHASER from SYNTH-WERK...source of sound is a SW 3P-2020 together with the SW 955-contact keyboard in polyphonic mode."

See the announcement post here. Note the price is now 3.200 Euro plus TAX.

box of uncertainty

video upload by studio snippets

"A new unit from a brilliant new designer – exclusive to Soundgas – we absolutely love this wild and unpredictable box which can create stunning sounds and rhythms from pretty much anything.

The BOU is a characterful and unpredictable audio sampler, designed for experimentation and improvisation. please feed it a wide variety of sound sources including but not limited to field recordings and household objects, acoustic instruments, synthesizers and electronic equipment, songs by your favourite recording artist (or your least favourite…).

There are no menus, sub-patches, presets or save functions. The BOU is immediate and imperfect.

Please note that these are handbuilt and hand-finished units; some imperfections to the finish and knobs is to be expected.

The user manual can be found here

Record

The capture button records for the length that it’s pressed for (maximum 3 seconds), recording from the built-in microphone, unless a line input is connected on the back in which case that source is captured. the looped sample begins to play back immediately.

Mix

There is no overall volume control for the BOU. both of the playback samplers have their own level control, as does the fragment space and occult emanation parameters which are routed as pre-fade effects.

Play

There are two sample players which behave differently: particle and fragment. each has a control for length, speed and level.

There is additional control for pitch and direction of particle, whilst fragment can be sent to space.

Occult emanation should be used liberally with caution.

Power supply:

Requires a 9v centre positive supply (not included).

External measurements (including knobs):
24 x 18 x 8 cm"

CLICK FOR MORE »

SERGE Modular INORI & TKB // First study on the use as a synthetic clarinet

video upload by Dexba

"Little snippet of my first exploration of the Pressure output from the Touch Activated Keyboard Sequencer (or TKB) and the INORI sound module, both from Random Source.
I am using the filter as a VCA, running one oscillator through the legendary Wave Multiplier (the middle one), while using the top one as a VCA for the vibrato amount, given by the second oscillator used as an LFO.
Very simple patch, I just wanted to practice the feeling of the keyboard itself, tuned to a hirajōshi scale."

Bastl Instruments Crust - HARD-HITTING DRUM & BEYOND

video upload by Bastl Instruments

CRUST is a hard-hitting drum module reimagined for fast playability and immediate creative drum inspiration. It is not just one sound; it is a full drum kit and a drummer hidden in 8hp that you can command with CV for precise control & shaping, or you can let it loose and draw inspiration from its vast sound palette.

Crust is a full drum voice going way beyond drum territory. It consists of two layers - the NOISE source and dual oscillator TONE generator. Hard-hitting drums need a lot of transient attention and CRUST has you covered with the combination of pitch envelope, layer mixing, FM envelope, and transient shaper with hard-clipping.

SetonixSynth Marsupial Dual / Stereo VCF for Eurorack - Sound demo

video upload by SetonixSynth

"This demo contains four patches with the SetonixSynth Marsupial configured in four different ways: as parallel (stereo) low-pass, parallel band-pass, series (mono) low-pass and series band-pass.

To showcase the sound of the filter, there is minimal external processing. For the stereo patches the sound source is the Infrasonic Audio Warp Core, while for the mono patches the sound source is a simple sawtooth wave from our Rottnest analog VCO. The Marsupial is being modulated by a single Infinite Machinery ADSR, which is also modulating the gain level through a transparent VCA. No external fx or compression are applied."

Buchla 259 - First Jam

video upload by TheTrackdriver

"I just finished building a Buchla 259 vintage clone and this is my first jam with it. It's the only sound source going through a 207 (also a clone) with added effects from Strymon Volante and Nightsky."

Novation Nova

via this listing

CLICK FOR MORE »

Serge Modular Mantra II - Sound Impressions (Re-upload)

video upload by Serge Modular | Random*Source

"A couple of patches on a one-panel Serge Modular synth, MANTRA II, that now comprises the new 6th generation Serge modules GTS and GTO.

Re-uploaded version (we inadvertently had left some camera audio-snippets unmuted in the previous upload, sorry!)

Sounds
0:00 Intro Sequence
01:04 No Way Back
01:51 Meeting Mr. Lynch
02:27 Senseless Friction
03:13 It May Get Worse
03:34 Der gesunde Rausch
04:40 Computer Not OK
05:20 Lifeforms
06:25 Nouvelle Cuisine
07:34 Offshore
10:04 Voices from Somewhere
11:03 Seeking Truth
12:25 Sine FM
13:07 Embrace Chaos
14:12 Embrace Harder
14:52 Never Going Back
15:25 Stop Doing This
15:50 Over and Out"

Early 80's TAMA DS200 Analog Drum Machine Synthesizer SN 200686

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Very rare/ Uncommon early-80s drum synth capable of some wild sounds from full-bodied electronic throbs to wild space-age squeaks and bleeps.

Made famous by Joy Division on their Unknown Pleasures album by producer Martin Hannett who used it as part of the wild industrial sound on the album. New Order also made use of these unusual machines.

Features two analogue oscillators with sensitivity, sweep range, sweep time, decay time, volume controls and a pickup input for each oscillator.

The envelope depends on the input source like an envelope follower.

Great for booming kicks and toms, all the way to sweeping laser blasts.

Sounds can be triggered by microphone/pickup or synth gate/trigger.

Synth can be turned on via foot switch."

CLICK FOR MORE »

Serge VC Resonant EQ for Eurorack

video upload by Serge Modular | Random*Source

"The legendary Serge Resonant EQ now with voltage control over each band - for #eurorack."

SERGE VC RESONANT EQ - A CLASSIC RELOADED

The legendary Serge Resonant EQ is a filterbank with ten bands, designed for electronic sound synthesis and processing, providing formant peaks and valleys similar to those found in acoustic instruments. It is one of the most unique sounding modules with an enormous spectral range. For the VC version, voltage control over each individual band has been added - an attenuverter (CV processor) allows to determine exactly whether the CV applied shall emphasize or decrease each filter band. Each band now also has an individual output.
The CV inputs can also be abused to feed audio signals - e.g. form an external oscillar or one of the individual outputs - into the system.
The eurorack version adds a two-channel mixer with attenuators and a Feedback section which allows to feed back the output signal. A powerful tool for sound processing but also for sound creation!
There are three equalized outputs: the two Comb outputs provide the sums of the two alternate filter bands while the two top outputs are the mix of all filter bands. Please note that there is no sharp separation between the bands, moving any frequency knob will have an influence on both Comb outputs.

Massive Attack Unfinished Sympathy ~ Vintage Synthesizer Recreation ~ RetroSound

video upload by RetroSound

"(c)2007-24 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

❤️ Support #RetroSound​ channel: https://retrosound.creator-spring.com

One of my favorite tracks from the early 90s
by Massive Attack
Unfinished Sympathy (1991)
written by Robert Del Naja, Grantley Marshall, Shara Nelson, Jonathan Sharp and Andrew Vowles

Featured the E-MU Emax (1986) and the Moog The Source (1981)

This cover song series contains my own recreations of my favourite songs from the last 50 years. The original music from which I take inspiration belong to their respective owners. I recreate tracks only for personal passion and to pay homage to these tracks.
My intention is not to create covers that sound exactly like the original (if you want to hear identical sounds, please listen the original). It's more of an inspiration with my sounds from the old synthesizers from the past and of course the great appreciation for the original performers and producers.
Check out the original songs with the original artists here on YouTube.
Thank you.

RetroSound synthesizer demo videos since january 2007.
Everything is free. If you like my work, you can also support me with the purchase of my merchandise stuff or my music.
Shop: https://retrosound.creator-spring.com/
Bandcamp: https://retrosound.bandcamp.com"